2 thoughts on “What does the spectrum clothing style and national costume style feel?”

  1. The spectrum art is an art genre that appeared in Europe and the United States since the 1960s and 1970s, reflecting the prosperous business culture of Western industrial life. With a strong post -industrial color, this stems from the suspicion of industrial civilization after World War II. One of the most suspicious aspects of the spectrum art is the indifference it shows, and an attitude of an unprecedented attitude towards the subject object it attempts to express, so that its interpretation space becomes larger. With the universal characteristics of postmodernity- "reality is manifestation", it denys the traditional refinement of life and achieves the pursuit of artistic creation. Instead, it directly uses some elements to combine and process them. In addition, Pop (POP) is Popular Art. The external environment and psychological state of consumers described. and many more. Under this popular culture, it will inevitably be accompanied by a vulgar and poor.

    The traditional artistic beauty, content and production technology, from Renaissance to Baroque to neoclassicalism, traditional forms and techniques have not changed much. Rest. Many traditional spirits have been continued in modernism and became the mainstream of middle -class culture, but the idealized art and pure art of modernism make it separate from business and it is difficult to sell.

    So the clothing of POP represents a popular, leisure, casual, personality feeling. The traditional clothing represents the formal, solemn, and old -fashioned feelings.

  2. The spectrum is the abbreviation of Popular Art, also known as new realism, because Pop Art's POP is usually regarded as an abbreviation of "popular, fashionable" word. It represents a popular culture.
    In an international art movement under the influence of modern civilization in the United States, mostly uses the image of the upper society or the accidental events in the drama as the performance content. It reflects the social and cultural values ​​of the younger generation of the younger generation after the war, strives to express themselves, and pursue the psychology of bidding new innovation.
    The early 1950s germinated in the UK, and in the mid -1950s in the United States. Pop is the abbreviation of Popular, which means popular art and popular art. The term Pop Art first appeared from 1952 to 1955. It was first created by a group of independent community seminar held by a group of young artists in the London Institute of Contemporary Art, and critic L. Alovi was appropriate. They believe that the urban culture created by the public is an excellent material for modern art creation. In the face of the impact of consumer social and commercial civilization, artists must not only face it, but also become popular culture singers. The artist who has strongly promoted this trend of thinking in practice was R. Hamilton. In 1956, he listed the collection of tennis players with the "POP" letters at the first personal exhibition (Whitchella Gallery) of Tomorrow (Tomorrow ". This work has become a banner of Pop art. The representatives of British Pop art are: E. Paulqi, J. Tilson, D. Hockni, R.B. Kitay, R. Smith, A. Jones.

    The national clothing style characteristics
    . Portal

    1. The unity of form beauty. Among the minority costumes, clothes and accessories are dependent on each other, forming a complete form of beauty. The accessories and colors of ethnic minorities play an important role in the formation of the overall beauty of clothing. The shape is generally large and prominent. Color often plays a role in emphasis and contrast in the overall match. For example, the black Yi man is basically wearing black pants and black pants, black shawls (Charwa), the left ear wears red silk line beeswax jade beads, the wrist is wearing a silver dragon bracelet, and the black cloth heroes on their heads. The slender tapered hero knot, extended out of the Pa high, with the "Charwa" on the shoulders, set off the Yiyi man with extraordinary martial arts. The hero knot towards the right side of the right forms an asymmetric but balanced relationship with the large earrings of the left ear. Red and yellow earrings also play a role in embellishment and emphasis.

    2. The unity of decorative. Decoration is the main function of jewelry. The aesthetic needs of the subject are the driving force and overall trend of national jewelry development. For example, the Mongolian headgear and Tibetan are always available in the decoration of the whole body.

    The silver bubble waist of the girl Lulu girl in southern Yunnan has outstanding decorativeness. The lower part is inlaid with a lace flower line. There are at least 200 silver bubbles on each waist, up to 684. Every festival, the girl and women dance on the silver bubble waist on the waist, the silver is flickering, dazzling, and no style. The embroidery of the aquarium to break the black and blue tone of the aquarium clothing is very significant.

    3. Unity of practicality. The production of minority uniform forms is often closely related to its labor life, so there are also one type such as shawls, back pads, etc. in clothing, because it often follows the body, in fact, it has become a national costume -it is very important. Part of the component can attribute it to part of the jewelry regardless of practical or aesthetic departure. For example, the unique Dulong anesthesia is a special symbol of the Dulong tribe. The Dulong carpet made of five -color hemp is obliquely covered from the shoulder to the knee, which looks rough and bold style and simple and primitive style. There are also the Naxi leather sheepshaweds, the "Chalva" of the Yi people, etc. all have the effects of integrating practicality with decoration.

    . Cultural

    The cultural characteristics of national jewelry can be analyzed from the aspects of religion, society and folk customs.

    The jewelry worn by the ethnic minorities in my country to a large extent, to a large extent, it maintains the significance of the original worship of the nation. The Miao people are the descendants of Chi You. Because Chi You loves cattle and cattle, the most typical headgear of the Miao family is the head of the cattle from the grass. The two -curved paddy horn raised in the Miao female silver horns is a symbol of the beautiful supreme Miao nationality. It has obvious colors of bull worship: after wearing a silver crown consisting of silver bubbles and silver pieces, two branches need to be put on. The connected silver bull horn is like a huge "U". Each corner is carved with one dragon, the dragon head is inward, and the two dragons are beads. In the middle of the two silver horns, there are fan -shaped silver. It reflects the rich national customs and ancient cultural traditions, and it is the product of worship of totem culture and farming culture.

    The sacrifice instrument is an important social activity of many ethnic minorities. There are many props in the ceremonial activity. Clothing, especially accessories, is the most powerful material entity in props. The image of an important role wizard in the sacrifice instrument is reflected by special and mysterious clothing, and the head often requires mysterious masks or exaggerated headdress. The folk sacrifice activities are more evolved into a social activity, and the protagonist in this social activity is young men and women. Men and women's relationships with ethnic minorities usually start with songs and develop them as mutual gifts. The token is often accessories such as belt, handkerchief, and purse.

    The sheepskin shawl of Naxi women is the most exquisite and most cultural content. The main clothing of Naxi women is extremely simple and lacking decoration. The most distinctive accessories are sheepskin shawls used as back pads, which is very related to Naxi cultural customs. The Naxi nation is a nation that advocates culture. The main undertakings of culture are men, men generally learn scriptures, while large and small farm work is mainly borne by women. The apron and shawls have become the main accessories for women. There are two large round jewelry above the sheepskin of the Naxi women, which represents the sun and the moon. There are seven small shapes below, named Qixing. On the one hand, sheepskin has a symbol of the worship of frogs, and the two big rounds are related to the eyes of the "golden frog" symbol of Dongba culture. Naxi women's hard work and virtue.

    . Historical

    National costume is a "encyclopedia" of national culture, and it is also the "living fossil" of national development. The historicity of national accessories can be analyzed from symbolic and regional.

    1. Symbolism. Clothing can often reflect the level differences and special property concepts after entering class society. As the development class differences of society gradually eliminate, and the accessories of accessories are still significant in the symbolic sense of wealth.

    The expression of Tibetan traditional jewelry, the expression of Tibetan traditional jewelry depends on the ideological concepts, social forms, and traditional production lifestyle, especially traditional nomadic life. Nomadic life needs to transform the family, even the property accumulated by the family, into jewelry, and move around to find a rich place for waterweed, which is both safe and convenient. Therefore, the Tibetan nation is wearing not only clothing ornaments, but also a huge property, which shows not only beauty, but also symbolizes luxury and wealth.

    Whenever there are sacrifice activities, Takayama people love to wear high silver helmets. After each of the Gaoshan people, they used the real thing to exchange silver coins to make silver rings, and then make helmets. From then on, the father and son were passed down. The heirs must add at least one circle on the silver helmet. Therefore, the silver helmet is a record of wealth accumulation, a symbol of hard work, frugality and ability.

    The silver jewelry of the Miao girls often reach two or thirty pounds. On the one hand, the glittering silver jewelry makes the girl beautiful, and on the other hand, it shows the wealth of the family.

    2. Regional. The special geographical environment often constitutes a special cultural environment, and the development of historical and cultural in turn is affected by geographical factors. Most ethnic minorities in my country have maintained the regional characteristics of national historical development due to the special geographical environment. Even the same nation has different performances living in different regions.

    The Guizhou has been high in mountain high roads since ancient times, and the climate has changed, which constitutes a closed natural environment, causing a variety of forms of service. Even if there is a hundred miles away, there are different outfits, and there are a lot of silver jewelry, but the shapes and patterns are different. For example, there are white chicken feathers on the silver corner of the Xijiang -shaped type; and the cidencaine silver corners are fan -shaped and the top is butterflies. Accessories in different regions record the totem worship and cultural customs of each branch.

    . The enlightenment of ethnic accessories for modern clothing

    This of these "additional objects" of minority clothing is colorful. They are part of the organic components of clothing, which not only has a strong strong Decorative, more functions of substitutes, supplements, and protective objects, so it looks very practical and indispensable. From a deeper cultural level, they have symbolic significance on the other hand.

    The accessories add to the ethnic clothing and become the essence of national costumes. The clothing and decoration can be used in clothing is a characteristic of national costumes. From the hippie style that emerged in the 1960s, to the ethnic style that has been ignited in recent years, the enhancement effect of accessories on clothing style has become more and more prominent. For example, the surface is mottled and old inlaid with natural stones, corals, and animal bones full of exotic silver jewelry. The flat material exudes a strong ancient and earthy flavor, which perfectly and coordinate the modern fashion and alien style. From the colorful national costumes in our country, we should further tap design inspiration, and create a new style of dressing style and new matching forms in line with the premise of ethnic style, carrying forward the Chinese national style.

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